One individual seeking to unite this ancient civilization with the twenty first century, however, is Rashid Al Oraifi; artist and founder of the Rashid Al Oraifi museum. His mission is to educate and inform, by displaying Delmon sculptures and artefacts as well as creating art inspired by this era. It is located in a city named Muharraq that is known for it still preserved heritage, the museum is an enclave of calm and a tribute to the Kingdom of Bahrain’s compelling heritage; decorative gypsum designs cover the walls and window frames, and a central courtyard paved with locally made bricks and enhanced with bronze sculptures adds to the sense of openness of the overall design.
When and why did you first start your operations in Bahrain? How has this environment inspired you?
The idea was encompassing me as a dream for a long time. Where I am today was a result of compounded struggle that eventually led to my ideas being realized. The museum, by its nature and its educational, social and cultural objectives, is by far my greatest inspiration as it includes 77 art pieces and 26 statues, exhibited throughout 7 halls. Everything represents the Delmon Civilization; I have been living this traditional and authentic Delmon era as an inspiration for a long time.
What changes have you witnessed in terms of the Kingdom’s development as a Middle Eastern hub for Art and visual media?
I have lived through and witnessed most of the political, social and economic events that have befallen this region. As an artist I am part and parcel of any positive changes in the Kingdom, whilst the Kingdom’s growth is part of my cultural and artistic development. I give and I receive.
In Bahrain we have witnessed many great developments such as freedom and reformation, both of which are crucial for an artist as it moves him to contribute. Another positive event is the formation of the Contemporary Art Society which was formed as a joint effort with my colleague, Karim Al Orayyed.
What challenges do you face in developing your Art? Do you plan any expansions, if so, when, what and why?
The greatest challenge I face as an artist is to get proper media coverage regarding my achievements, contributions and production. There is not enough promotion regarding this type of art, it tends to be far too ad hoc.
However, it’s wonderful to witness that people are now more interested in contemporary Delmon art, and this is reflected in high demand and an increase in sales. For me, to expand is to produce more art.
Can you briefly run through the individual themes of your art, your operations and services, explaining the new trends and approaches in your field?
I derived all my inspiration and innovation from Delmon art. I’ve been researching and studied this school of art for over forty years. Most of my exhibits in the museum are inspired from that era, and I believe that visitors from all over the world have appreciated it and enjoyed it.
As the Bahraini economy and population continues to expand and diversify, is there any loss of the unique heritage and culture belonging to the kingdom? If so, what are you doing to redress this situation?
Bahrain has never underestimated the importance of modernization or the perseverance of architecture heritage. Many other countries sought to renovate old houses and make them into a central tourism attraction within the tourism industry, which is what inspired Bahrain to set aside old homes as cultural heritage. I have actually authored a book entitled Arab Architecture about the subject, which outlines the importance of architecture in the Kingdom and how it should be utilized in tourism.
What further strategies for progress do you have?
One of my strategies is to keep in par with what developed nations are doing and how they are progressing. I also focus on exhibiting art properly and in a compelling way, for example the jewelry exhibition is closely linked to the Delmon era and the Delmon seal.
Additionally, I’ve written books in order to educate others about Delmon Art, as well as selling many of my prints and silverwork.
Where does Rashid Al Oraifi go from here? Scenarios for the future?
Rashid the artist seeks a successful art piece that is in par with today and deserves the modernization of this society. My art is an expression of my being, my soul and represents me in all international exhibits and studios.
